A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a cen圣元金币优惠多联盟tury of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “grac小时代夫妻eful and tender insubordination” to emerge.
分类:海外动漫
状态:HD
上映时间:2022
视频更新时间:2024-08-28 22:38
国家/地区:其它
影片语言:法语
评分:10.0分
影片导演:潘礼德
影片演员:内详
资源类别:高清无删减
剧情介绍:潘礼德 导演执导的《一切安好2022》,该影片在2022其它发行,上映至今获得了较好的口碑, HD,由内详 等主演的一部不错的法语的海外动漫。
A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a cen圣元金币优惠多联盟tury of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “grac小时代夫妻eful and tender insubordination” to emerge.
(本介绍由喜欢看海外动漫视频的百度编辑,更多相关信息可移步至豆瓣电影、电视猫或剧情网等平台了解)
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